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All are fav
ОтветитьThank you for update Jason! Just a question out of topic maybe. Do you always shoot video with the constant exposure, ex. for 25 fps 1/50, 50 fps 1/100, and so on ... or it is not always necessary to follow this rule? Thanks
ОтветитьCheers, Jason 🎵🎧🙏
ОтветитьTrim Automation from Unity in the Mixer is explained in the DaVinci Resolve 19.1. New Feature Guide in detail....
ОтветитьTop Infos, Jason! Thank you!
But: hopefully revised BM for version 20, finally this bus system
management in Fairlight. It's somehow opaque and complicated. IMHO!🙂
The precision thing is for any box that has a number from my understanding 😅
ОтветитьThe biggest thing is 19.1 is that you can right click any diall in fairlight and it will bring you straight to automation layer for that paramer, game changeing for automation 😅
ОтветитьThanks! Hopefully, they make Fairlight more powerful in terms of handling 96,000 Hz. In my experience, working with a 96,000 Hz timeline breaks many things, especially Dialogue Isolation and bouncing effects on a clip
ОтветитьCome on Jason it's been 4 years since you taught 5.1 Surround sound with Davinci. Talking Heads are what DR is really about. Yes Talking Heads can Teach but any DUMMY can set op a camera and Explain something that People Should have Learned at the HELP / DaVinci Training.
ОтветитьU see the SEARCH Feature undre HELP in DR 19.1? It helps see where things are in Menues (If you know what you're Looking For. I wish it would Open the Manual right to the first page that contains it.
ОтветитьOh sweet, the nested timelines right now don't work at all. It completely ruins the audio quality. That could be huge if it works now.
ОтветитьFairlight is still a very long ways from the functionality of a DAW
ОтветитьYo I think Bruce buffer copyrighted “it’s time”
ОтветитьThanks Jason for your updates, there is an audio ducker problem for me: I record videos where there is background noise (cycling). The Audio Ducker not only recognises my speech, but also the background noise. Is there somewhere I can set a level at which the Audio Ducker starts? Thanks and best regards, Klaus
ОтветитьFairlight is starting to become a "real" DAW more and more. I like that! So indeed thank you Blackmagic! EDIT: My favourite is accessing Dynamics, EQ, and FX in the Edit page! Super handy!
ОтветитьI have tried the ducker a few times and always been dissapointed and I think the reson is that sometimes with certain music a shortage breaks you do not want the music to come right back up so I stick to manuall doing the mix. I would love the feature then that if the gap was less than a certain length you could raise the music to a slightly lower level. Maybe one day this could happen or even better AI could be trained to listen to the music and voice and adjust it more like a munally dubb and to what you opersonally prefer.
ОтветитьNeat… but still too messy and complicated.
Good for vlogs and other very simple tasks.
No where near to real daw
Nice update! But do you know, there is one glaring "opening" in the Resolve 19.x tutorial space for audio and that is a good tutorial on Ambisonics, with a concrete example on how to take surround sound (eg from good ol' Zoom H2n and combine that with 360 video from something like the Insta X3 or X4. Noone has yet addressed that use case.
ОтветитьGreat overview, Jason 👍 Cheers, Dave.
ОтветитьI don’t get way Davince Resolve just does not make the render cash do it in real time just like Final Cut for someone people with a les powerful computer that would be amazing i hope Davince is listening. Thank you great video be safe and take care.
ОтветитьThe access EQ and Dynamics from the edit page!! Yes!!!
Thank you Jason excellent video as usual.