Комментарии:
me gustó mucho
ОтветитьMuchas gracias Angel! Saludos desde Dinamarca. Per-Olov
ОтветитьKudos! Your interpretation is superb. Best version I have Ever heard.
ОтветитьGreat performance and musical feeling, Lauro can be proud of you of course. Felicitaciones maestro!!!!
Ответитьme convenciste me la aprenderé...
Ответитьlooks like bill gates
Ответитьmuy buena interpretación ...saludos desde venezuela
ОтветитьHola que tal, Muchas gracias. Salu2 desde Dinamarca. Viva Venezuela!!! Per-olov
Ответитьno me canso de oir tu interpretacion Per...... Saludos
Ответитьmuy buena interpretación. desde guatemala.
ОтветитьBuenas, Sera que me puede enviar la partitura, quiero adaptarla al piano.
ОтветитьSir do you tune your guitar to the frequency of 432hz? Not 440hz? Because I just found out last night that 432hz is musics natural frequency. And I was just playing along with you and my guitar and yours sounded the same. Just wondering,
ОтветитьHi Steve, No... I tune my guitar to 440hz.Maybe the video is playing back a little slower?
Ответитьdisculpa no tendras la digitacion de la mano izquierda??? excelente interpretacion por cierto, saludos y mis mejores deseos desde mexico
ОтветитьPerfect! Maestro Lauro must be smiling in Heaven... you've caught the latin mood he gave to his composition...
ОтветитьHola, tocas hermoso... me encanta ese Vals, es uno de mis favoritos de todo el folklore musical de Venezuela, junto con "Conticinio", "Dama Antañona" y "Sombra en los medanos"
ОтветитьWhat does "natural frequency" mean?
Ответитьwow, fantastic playing!
Ответитьexcellnet From Antonio Lauro vals n.3 Natalia perfomance, congratulations
ОтветитьA very difficult piece to play and played very well here. I know how difficult it is, I've been working on it a long time and will post it myself some day when I feel I have reached a stage where I can deem it "Close to Perfection"......
ОтветитьBuena versión de este vals venezolano. Ni muy lento, ni muy rápido, en su justo nivel. El que to toca muy rápido es Alirio Díaz.
ОтветитьHi Per... How do you mic your guitar? It sounds great!
Ответитьfelicidades... hermoso valse.. que orgullo como venezolano que usted toque tan magistralmente nuestra musica
ОтветитьGracias, me has dado una idea de cambiar la digitación.
ОтветитьHi Per,
I was trying to find the music to this on your website.
Is it there?
Excellent! Per-Olov, how are you keeping your guitar in position. I don't see a footstool, etc...? Thanks!
ОтветитьThis is not only amazingly skillful, you can feel so much "feeling" in it too. Bravo!
ОтветитьPer-Olov, could you make a video playing "La Catedral" from A. Barrios? that would be great
ОтветитьAll lefts reversed, love it! Lovely and dynamic performance!
ОтветитьBellísimo.
ОтветитьHermosa interpretación de un genio musical de mi tierra
ОтветитьI cant find the tabs on your site? are they still available?
ОтветитьWonderful piece, wonderful interpretation.
ОтветитьVals Venezolano NATALIA , una Joya musical que nos legó Antonio Lauro , para los amigos (a) del FB.
ОтветитьHola Peo tus interpretaciones siempre ha sido un modelo para mi. Hace unos meses llevo tocando Natalia y acabo de publicar un video. me gustaría saber lo que opinas . no soy un guitarrista profesional me considero un amateur. hasta pronto Peo. Carlos
ОтветитьWonderfulllllll
ОтветитьI remember watching this video in 2007, we are getting older Kindgren :)
Ответитьthe good fermates
Ответитьexelente!!! un saludo desde argentina
ОтветитьImponerende!
Ответитьmolto bravo peccato il troppo riverbero non fa apprezzare completamente le sfumature
ОтветитьWow magnificent
ОтветитьI've heard thousands of classical concert guitarists but I've never seen anyone like you. You're on the same level as pepe romero for me. Your performances balanced, no over or underspeed, no stuck , like a flowing water, good guitar tone using and you have good sound.
ОтветитьOK. Now beat John Williams. You are pretty fucking excellent!
ОтветитьYep. Yep. This is one of my favorite interpretations. Restrained, slow, not rushing to the end like it's speed metal or something. There's something about the tempo that is not "tempo", it's, I dunno... mood. It's not a mechanical 'bar by bar'. And you can hear that, even when he gets a little off the clock, the piece keeps flowing forward with elegant, nonchalant ease. Even in a 'quarrelsome' contry like mine, people of gentle spirits, like the composer, keep coming forth, and chaps of virtuous sorts like Per-Olov greatly compliment them with their recognition.
ОтветитьEl gran maestro
ОтветитьSaludos desde Chile al gran maestro
ОтветитьI am your fun from quite a while.. these son its from my country thank you for playing it so exquisitely... bravo 👏
Ответитьimpressive!!
Ответить