[4K名画欣赏] 韩熙载夜宴图 / [4k Art Appreciation ] The Night Revels of Han Xizai

[4K名画欣赏] 韩熙载夜宴图 / [4k Art Appreciation ] The Night Revels of Han Xizai

vici lee

2 года назад

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《韩熙载夜宴图》卷,五代,顾闳中作 (宋摹本) ,绢本,设色,纵28.7厘米,横335.5厘米。
  本幅无款。前隔水存南宋人残题“熙載風流清曠,爲天官侍郎,……”20字。引首有明初程南云篆书题“夜宴圖”三大字。卷后有南宋史弥远“紹勳”葫芦印,清·宋荦钤“商丘宋犖審定真迹”一印。拖尾有行书“韩熙载小传”,后有元·班惟志泰定三年(1326年)题诗,又积玉斋主人题识。后隔水清·王铎题跋,后有“董林居士”、“緯蕭草堂畫記”等收藏印。又有乾隆皇帝长跋及清内府诸收藏玺印。
  关于《韩熙载夜宴图》的创作缘由,有两种说法,《宣和画谱》记载:后主李煜欲重用韩熙载,又“颇闻其荒纵,然欲见樽俎灯烛间觥筹交错之态度不可得,乃命闳中夜至其第,窃窥之,目识心记,图绘以上之。”《五代史补》则说:韩熙载晚年生活荒纵,“伪主知之,虽怒,以其大臣,不欲直指其过,因命待诏画为图以赐之,使其自愧,而熙载自知安然。”总之,此图是顾闳中奉诏而画,据载,周文矩也曾作《韩熙载夜宴图》,元代时两者尚在,今仅存顾本。
  作品如实地再现了南唐大臣韩熙载夜宴宾客的历史情景,细致地描绘了宴会上弹丝吹竹、清歌艳舞、主客揉杂、调笑欢乐的热闹场面,又深入地刻划了主人公超脱不羁、沉郁寡欢的复杂性格。

This is an excellent copy of an original work by Gu Hongzhong. From many factors, it is thought to have been done during the period from 1163 to 1224 in the Southern Song dynasty (1127-1279). Serving as an official in the painting academy patronized by Li Yu (r. 961-975), the last monarch of the Southern Tang dynasty (937-975), Gu Hongzhong excelled at figure painting. He was accorded the same high status as his contemporary, the court painter Zhou Wenju (active 10th century). As for the motive for this painting, there are two stories. According to the Painting Catalogue of the Xuanhe Period (1119-1125) (Xuanhe huapu), Li Yu who planned to appoint Han Xizai (902-970) to an important position in the court, hesitated when he heard that Han lived a dissolute life. Therefore, he asked the painter Gu Hongzhong to spy on Han at night and make a visual record of his behavior. A second version of the story appears in The Supplement to the History of the Five Dynasties (Wudai Bushi); it states that the emperor was so angry with Han Xizai for his decadence that he showed this painting to Han to express his dissatisfaction. Han Xizai accepted the emperor's blame and felt guilty. Both versions emphasize that it was Gu Hongzhong who was ordered by the emperor to execute this painting. Another imperial painter, Zhou Wenju, was recorded to have painted the same topic; the painting is known to have been preserved until the Yuan dynasty (1206-1368). Today only the work attributed to Gu Hongzhong has survived.
The painting vividly represents a night party hosted by Han Xizai, who anticipated the fall of the corrupt court. It depicts the host and guests engaging themselves in revels, flirting, chatting, singing and dancing to delightful music. Of all the figures painted, the complicated characterization of Han Xizai's wistfulness and aloofness is of paramount importance.
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